Selective Index 1–114
Titles
Series – Cycle – Sequence – Tableau (1/1980)
Spanish Photography in the 80s (2/1980)
Contemporary Trends I: Visualism (3/1980)
Contemporary Trends II: Conceptual Photography (4/1980)
Contemporary Trends III: Documentary Photography (6/1981)
Immigrants (8/1981)
Nude⁄Photo: New Trends? (11/1982)
Photography and Politics (15/1983)
Work in Progress (16/1983)
Private Pictures (17/1984)
Edited by . . . (18/1984)
Mediterranean Photography (20/1984)
Photography: Today⁄Tomorrow I (21/1985)
Photography: Today⁄Tomorrow II (22/1985)
Australian Photography Now (23/1985)
Narrative in North America (24/1985)
Award for Young European Photographers (25/1986)
Photo Trouvée (26/1986)
Countervisions (28/1986)
The Photographic Process (30/1987)
Dutch Staged Photography (31/1987)
German Stagings (34/1988)
15 Artists – 150 Years (39/1989)
Ten Years Later (40/1989)
Deutschfoto (Ost) (46/1991)
Vilém Flusser Issue (50/1992)
Japanese Photography (61/1997)
Artist’s Cookbook (62/1997)
Contemporary Issues One (63/1998)
Contemporary Issues Two & Three (64–65/1998–1999)
Contemporary Issues Four (66/1999)
goEurope: The Kaleidoscopic Eye (68/2000)
Photography and Water (75/2004)
Photography in China (76/2004)
Photography in Berlin (81/2007)
Reality Crossings (82/2007)
Contemporary U.S. Photography (87/2010)
Net Photography (88/2010)
Photography and Privacy (90/2011)
Investigative Photography (91/2012)
Retro-Photography (94/2013)
Nomination Issue (96/2014)
The Photographic Figure (97/2015)
Urbanics – Urban Photography (98/2015)
Why Hong Kong? (99/2016)
Talking Photography – 100 Pictures that Tell a Story (100/2016)
FemGaze: Women on Women (101/2017)
Extreme: Risk Made Visible (102/2017)
Photo-Phenomenology: Points of View (103/2018)
Travel: The Outside Perspective (104/2018)
European Photography Is Turning Forty (105/2019)
The Environmental Issue (106/2019)
Photography in Real Time (107–108/2020)
Ideological Mutations (109/2021)
Black-and-White as a Code (110/2021)
Human/Nature (111/2022)
Building and Living (112/2022)
African Rhapsody (113/2023)
Artificial Intelligence – Self-Staging – Media Art (114/2023)
Theory
Jean-Claude Lemagny: Creative Photography in Europe. A Proposal for the Classification of its Contemporary Tendencies (1/1980)
Andreas Müller-Pohle: Visualism (3/1980)
Reinhard Matz: Against a Naïve Concept of Documentary Photography (6/1981)
Vilém Flusser: Taking Photographs alias Making Pictures (9/1982)
Andreas Müller-Pohle: Information Strategies (21/1985)
Joachim Schmid: The Electronic Photographer is Coming (22/1985)
Joan Fontcuberta: Countervisions. Zeus’ Eye Against Zeiss’ Eye (28/1986)
Andreas Müller-Pohle: Photography as Staging (34/1988)
Vilém Flusser: Habit: The True Aesthetic Criterium (45/1991)
Jean-Claude Lemagny: Lemagny’s Aesthetic Clock. An Update Anno 1990 (46/1991)
Vilém Flusser: What is the Literal Meaning of “Photography”? (47/1991)
Andreas Müller-Pohle: The Photographic Dimension (53/1993)
Boris Groys: The Logic of Collecting (54/1993)
Florian Rötzer: From Image to Environment (54/1993)
Vilém Flusser: To Photograph Is to Define (55/1994)
Thomas Knöfel: The Crisis of Archives (61/1997)
Hubertus von Amelunxen: On the Theory of Photography. A Review of Contemporary Theories of Photography: Ten Interventions from the Years 1978 to 1993 (66/1999)
Boris Groys: The Politics of Immortality. A Glossary by Thomas Knoefel (71/2002)
Lev Manovich: “Metadating” the Image (73–74/2003)
Gottfried Jäger: What is Concrete Photography? (77/2005)
Maren Polte: The Document Between Fact and Fiction. Statements by Stefanie Grebe, Reinhard Matz, Torsten Neuendorff, Hito Steyerl, Gabriele Werner, Otto Karl Werckmeister (78/2005)
Vilém Flusser: Image and History (79–80/2006)
Andreas Müller-Pohle: Artificially Intelligent Image World (114/2023)
Lev Manovich: Toward a Generative Museum (116/2024)
Articles
Joan Fontcuberta: Spanish Photography in the 80s – Normalization or Loss of Identity (2/1980)
Derek Bennett: The Outsider in Photography (8/1981)
Joan Fontcuberta: Animals in Silver Salts (10/1982)
Andreas Müller-Pohle: Project Photography (13/1983)
Derek Bennett: From Object to Vision (14/1983)
Vilém Flusser: Photo Criticism (17/1984)
Hripsimé Visser: Constructed Realities. Dutch Staged Photography in the Eighties (31/1987)
Bill Jay: The Critical State of Photography (48/1991)
Gary Higgins: Grafts and Elisions. Violence Against Books (50/1992)
David Glenn Rinehart: Digital Photography Comes of Age (52/1992)
Bill Jay: The Ethical Anarchist (53/1993)
Alice Schwarzer: Helmut Newton (I) (55/1994)
Klaus Honnef: Helmut Newton (II) (55/1994)
Anthony Georgieff: As Far as the Eye is not Allowed to See (56/1994)
Jean-Christophe Ammann: Beat Christoph Streuli (I) (57/1995)
Hubertus von Amelunxen: Beat Christoph Streuli (II)
(57/1995)
A.D. Coleman: The Perils of Pluralism. Thoughts on the Condition of Photography at Century’s End (67/2000)
Ulf Erdmann Ziegler: Beyond Pleasantville. Black-and-White or Color: A Paradigm in Photography (69/2001)
Andreas Müller-Pohle: Philosopher of the Apparatus. In memory of Vilém Flusser, who died ten years ago (70/2001)
Gerrit Gohlke: Cybermaps: More Beautiful than Art (72/2002)
Andreas Schmid: The Triumph of Chinese Photography (76/2004)
Gunnar Schmidt: Gazing into Bomb Craters (77/2005)
Boris von Brauchitsch: The Gursky Phenomenon (84/2008)
Thomas Wiegand: Collecting Photo Books? (87/2010)
Andreas Müller-Pohle: Net Photography (88/2010)
Bill Kouwenhoven: Self-Publish, Express Yourself, and Be Happy! (88/2010)
Boris von Brauchitsch: Google, the New Photo Machine (89/2011)
Christoph Schaden: Welcome to the Situation Room (89/2011)
Bill Kouwenhoven: Deep Views: Afghanistan and Fukushima (91/2012)
Moritz Neumüller: Unmanned Photography (93/2013)
Markus Schaden: Here Comes the Digital Photobook! (93/2013)
Ronald Berg: From Retro-Style to Reconstruction ⁄ The Reconstruction of the Berlin City Palace (94/2013)
Matthias Harder: The Photographic Figure (97/2015)
Boris von Brauchitsch: Urbanics – The Contemporary City (98/2015)
John Batten: Art and Politics: Hong Kong in China (99/2016)
Ulf Erdmann Ziegler: Ideologies, Images, Culture War (109/2021)
Boris von Brauchitsch: Floating Islands (112/2022)
Christoph Tannert: Berlin is Indescribable (116/2024)
Interviews
“It’s not a question of photography.” A Talk with Floris M. Neusüss (4/1980)
Angelo Schwarz: The Photo, an Icon. Interview with Herbert Marshall McLuhan (22/1985)
Angelo Schwarz: Fascination and Grief. Interview with Roland Barthes (23/1985)
Sebastian Turner: The Great Seducer. Interview with Neil Postman (29/1987)
Eric Bonse: The Adventure of the Future. Vilém Flusser’s last interview (70/2001)
Hou Hanru & Karen Smith: China Pictorial: 798 Factory Talk (76/2004)
Photo Bubbles. Manfred Heiting and Michael Maria Müller in Conversation (84/2008)
Art and Publishing. European Photography’s Anniversary. Hans-Michael Koetzle in Conversation with Andreas Müller-Pohle (85–86/2009)
“Good Art Always Wins.” Wolf Lieser in Conversation with Gérard A. Goodrow (88/2010)
Daido Moriyama – Quick Glances. Interview by Dieter Neubert (94/2013)
Photographing the City: Peter Bialobrzeski. Interview by Joyce Yang (98/2015)
Michael Wolf: My Hong Kong. Interview by Yip Tsz-Lam (99/2016)
Mark Klett: Looking Back, Looking Forward. Interview by Bill Kouwenhoven (103/2018)
Yvon Langué: African Rhapsody. Interview by Benjamin Füglister (113/2023)
Xavi and Dani Cardona: Artificial Intelligence Has No Limits. Interview by Moritz Neumüller (114/2023)
Surveys
European Photography in the 1980s: A Survey of the Coming Decade (I): Petr Tausk, Ute Eskildsen, Sue Davies (2/1980)
European Photography in the 1980s: A Survey of the Coming Decade (II): Peter Turner, Daniela Palazzoli (3/1980)
Photography: Today⁄Tomorrow (III): Helmut Gernsheim, Günter Kunert, Felix Philipp Ingold, Vilém Flusser ⁄ Sue Davies, Mark Johnstone, Robert S. Persky, A.D. Coleman (24/1985)
Photography: Today⁄Tomorrow (IV): Herbert W. Franke, Allan Porter, Alyce Kaprow, A.D. Coleman, Klaus Honnef ⁄ Abraham A. Moles, Alyce Kaprow, Allan Porter (25/1986)
Photography: Today⁄Tomorrow (V): Abraham A. Moles, Friedrich Manz, Robert Persky ⁄ Mario Biagioli, Daniela Palazzoli, Jerzy Olek (26/1986)
Back to the Future – Photography in the 80s and 90s (I): Helmut Gernsheim, John Stathatos, Mark Haworth-Booth, Stefan Wojnecki, Régis Durand, A.D. Coleman, Vilém Flusser, Daniela Mrázková, Michel Nuridsany, Jan-Erik Lundström (40/1989)
Back to the Future – Photography in the 80s and 90s (II): Gottfried Jäger, Christian Gattinoni, Peter MacGill, Wolfgang Kil, Joan Fontcuberta, Giuliana Scimé, László Beke, Colin Westerbeck (41/1990)
Photography in the Year 2000: Jean-Christophe Ammann, Victor Burgin, Herwig Kempinger, Joel-Peter Witkin, Ulrich Pohlmann, David Glenn Rinehart, Paul Wombell, Florian Rötzer, Carl Aigner, Van Deren Coke, Hubertus von Amelunxen (58/1995)
Contemporaneity. A Survey (I): Gerd Harry Lybke, Jean-Christophe Ammann, Reinhold Mißelbeck, Renate Wiehager, Herta Wolf, Mark Haworth-Booth, Régis Durand, Urs Stahel, Daniela Palazzoli, Finn Thrane, Thomas Weski, Ian Jeffrey, Mike Weaver, Adam Sobota, Marek Grygiel, Miklós Peternák, Roberta Valtorta, Pierre Devin, Martin Heller (63/1998)
Contemporaneity. A Survey (II): Carl Aigner, Hubertus von Amelunxen, Catherine David, James Enyeart, Bill Jay, Peter MacGill, Angela Magalhães, Weston Naef, Hiromi Nakamura, Nadja F. Peregrino, Martha Rosler, Luminita Sabau, Johan M. Swinnen, Anne Wilkes Tucker, Ulf Erdmann Ziegler (64–65/1998–1999)
Conspatiality: Anna Fárová, Geoffrey Batchen, Anthony Georgieff, Henning Steen Wettendorff, Vaclav Macek, Yoshiyasu Suzuka, David Elliott, Jerzy Olek, Chihiro Minato (68/2000)
Photography’s Reinvention – A Mosaic: Alasdair Foster, Christoph Tannert, Oscar Ho, Marc Prüst, Bisi Silva, Klaus Honnef, Frits Gierstberg, Geoffrey Batchen, Daniel Eggert, Andy Grundberg, Joan Fontcuberta, Jeff Moorfoot (92/2012)
The European Photography List of Forty Books: Jens Friis, Hiromi Nakamura, Jeanne Mercier, He Yining, et al. (105/2019)
Guide to Media and Video Art Festivals (114/2023)
This selection is based on an index published in European Photography 105/2019. A comprehensive index is in preparation.